Thursday, January 20, 2011

Interview with Beth Rice













Beth Rice's "Sewn Stories", an exhibition of hand embroidery and textiles, will be at the gallery from January 18 to February 13, 2011. A reception for the artist is on Friday, January 21 from 6-9pm.

Why did you choose to create artwork using fabric and embroidery?

I always really like seeing embroidery. I like how it looks. It can be art, which it is, but it's not the traditional painting. I enjoy doing it because it's relaxing. You don't have to worry "oh, did I paint that right?", whereas with stitching you can just rip it out if it doesn't look right. I always liked fabric, old fabric and vintage fabric. I think fabric and thread can tell a good little story.


When did you learn to sew and embroider? Was this something passed down to you?

It was not passed down to me. My mother cannot sew at all. I learned a little bit in home ec in school. My husband Kinsey actually taught me how to sew right when we started dating. So, I’ve been sewing since 2004. With embroidery, I first learned in my crafts class in high school. My teacher saw an article on embroidery and said “Oh! We should all start stitching!” So, I started stitching and I really enjoyed the process of doing it.


How has nature inspired your work?

In a lot of ways ….I’m more of an outdoors person. I like the outside. I like being in the woods and by the coast. That’s always something I’ve liked doing. I’m inspired by the shapes in nature. You can draw a tree just by thinking of a tree, but a tree that you draw will never look like a tree that you see. There are so many different directions the branches go and how it all looks. I just love trees.


I know you and Kinsey go to Maine a lot. When did you start going to Maine and why did you decide to go there?

We went to Maine for the first time on our honeymoon in 2007. We never really thought about going to Maine, but Kinsey’s friend and his wife went to Maine about a year before we did and they said, “Oh! You should go to Acadia! It’s really nice!”. We thought, “oh, maybe we will someday!”. We looked it up and saw that it was everything we like in life. So, we went there and we’ve been going back every year since. We love it … a lot!


Your artwork is very nostalgic for the past. You use handmade techniques that are traditionally passed from generation to generation; you incorporate imagery from children’s books that perhaps remind of you of your youth; and you are illustrating, through embroidery, hand-drawn maps whereas most people have GPS devices now. Can you elaborate on the use of nostalgia in your artwork?

I tend to be drawn towards older types of things. I’m not big on technology. I don’t really like computers. I certainly don’t have a GPS. For me, I would never do an art piece that involved computers. I tend to do things more nature-oriented because that’s who I am. That’s what I enjoy.

As far as the childrens’ books, I can’t really remember certain childrens’ books I had as a child. I remember I’d read the Berenstain Bears, things like that. The drawings in those books, especially in the ones that are a bit older, they seem to be more simple. Simple lines, simple colors. That’s the type of stuff I enjoy, the simple line drawings. It’s kind of similar to what I do when I stitch. It’s a simple line and I’m just adding a little color to it. I’ve always liked simplicity and things that look like they’re hand-crafted, handmade or passed down. A lot of the fabrics I use are fabrics that I buy at a second-hand store or they’re my grandma’s old curtain material, which, I just cut and use that. I like using things that may have had a past life or things that are a little bit older and not just a brand new thing.


What were you like when you were growing up? What sort of things were you into?

Growing up…..umm…..when I was very young I was kind of a shy person. Then when I hit 6th grade I was a very talkative person. I always enjoyed art. I always took the drawing classes. During the summer they would have special art classes that I would take, so I was always doing stuff. I was very interested in nature back then. I was in Girl Scouts for a few years. I went on the camp outs, learned how to tell the difference between trees, how to make a fire… I’ve kind of always done the nature thing. Art was a major part too. I read a lot, which might be why I like the older childrens’ books. I remember reading them in my room. I played with Legos a lot, which explains the making part. We had a big tub of those and I would build all kinds of ships. Ships are actually a thing I do a lot of now. I don’t know if there’s a connection….


How is your artwork presented here in the show different from your craft business, Tributary ?

I think it has the same feeling to it. If you would see my craft and my art, you could tell it’s the same person. I like doing the show here because I can work on a bigger scale whereas before I’ve been restricted to a smaller area. I use [embroidery] hoops and the biggest I’ve ever used is 10 inches. So, when you’re working in a 10 inch round circle, you can’t quite go into as much detail as you can with a 16 by 20 inch piece of fabric.

At first I wasn’t sure what direction it was going to go into, but then I started to do a lot of things with people in them, mainly kids and girls. In my craft I don’t really have people in it too much. But, for the show I wanted to make a narrative. So, there are people and silhouettes of people. I think it’s different in that aspect, but it’s very much the same style, the same nature; sea, Maine, cabin in the woods…


How did Tributary start?

It started just because I was making a lot of stuff. After a while there’s only so many bags and clutches that one person needs and all of your family is sick of getting the same things. So, Kinsey introduced me to Etsy. It was really, really excited and I couldn’t think of a name. We just though of Tributary for some reason. I’m not sure how. We started selling on there and then I started doing shows. I started just so I could see if people would buy my stuff. I remember I first I wasn’t sure if anyone was going to buy anything. I think it took about two months before my first sale on Etsy, which was a pair of earrings. I started out making earrings and necklaces. I kept with it and then I neglected it and then started it up again. I think it’s been good for me. I prefer doing craft shows, though, and actually seeing the people who buy my stuff. It has been fun.


Where does the line between art and craft blur for you?

I really think they are the same. I don’t really think that I do just craft and I don’t think I do just art. I know some people thing craft is all about selling your goods and it’s not really art. With my work for the show, it’s meant to be hung on a wall, whereas in my craft, I make coasters. It’s not really a piece of art but it kind of is. You’re still choosing the fabrics, putting them together, you’re sewing them….not everybody can make coasters. So, I think art and craft really, to me, are the same thing. It just depends on how you present something. Doing crafts is just as difficult as doing art. It’s the same process, just different tools you use to accomplish it. I’m using fabric and thread instead of a paintbrush and paints.


What music are you listening to now? What books are you reading? Are you following any craft blogs or websites?

Music… I listen to a pretty wide range of music. I like Sigur Rós, Matt Pond PA. I also like different Christian music too… Tenthavenuenorth and Chris Tomlin. I can listen to classical music too. It depends on my mood.

Reading…. I’m reading a biography on the coast of Maine. It’s by Louise Dickinson Rich. She lived in Maine all her life, so she writes a lot about Maine. It’s an informal history about the coastal towns, which I enjoy because I’ve been to most of the one’s she’s talking about.

Blogs and websites…. I spend time online, but I try not to get too involved with certain websites just because I’m afraid I’d waste time. But, I do enjoy looking at DesignSponge and also a website called younghouselove.com. It’s about a husband and wife who live in Richmond and they do renovations on their house such as install a new bathroom or other household projects. Kinsey and I are kind of like that too. We like doing things around the house.


How does Kinsey, your husband of three and a half years, influence your artwork? He’s an artist, as well, and a musician. Does he help with your projects?

He does for some of them. He’s more into photography, does collages and pen and ink drawings. He’s more of a flat-based artist whereas I do functional things. He does help me with ideas. We are both very alike. We both like the same exact things practically. We like being outside a lot, we like nature, we like Maine. We have a lot of the same things in our work.

In fact, just the other day, he was in his room drawing a picture and I was in my room drawing sketches. Then I walked into his room and realized we both had drawn almost the same exact thing. It was a stack of logs. His logs were being pulled by a truck and mine were being pulled by a horse. It was the exact same thing but we never had talked about it. We both do very similar types of work, but the style is very different. He does inspire me for different designs. He’ll show me different websites or books that he thinks might be something that I like. He’s very helpful.


Gardening is a big part of your life. How did you get into that? Is there a favorite part of the process for you?

I got into gardening through my father. He always used to have a big garden at our house. I always remember him having a garden and picking sugar peas. When I grew up, I would still have a garden at my dad’s hose, but it got hard because it was a 20 minute drive to get there. When Kinsey and I bought our house in 2009, it was nice because it was the first time we had a garden of our own. But, it didn’t turn out that well. Our plants contracted diseases. It was still fun to do.

My favorite part of the process is at the beginning of the season when I get to pick out seeds. When I was living in our apartment, I had every windowsill covered with seeds. I think the most seeds I started were 60 pots at once. Yeah, we take it pretty seriously. We start them and then plant them. I like going through and picking out what kinds of things to plant. There’s so much more than just orange carrots. You can get purple carrots! My second favorite part is the harvesting of the fruit. I enjoy eating it too.


How about cooking? Who did you learn that from? Do you have any favorite recipes to share?

I guess I learned a little bit from my mom. I was never really a good student. She would try to show me how to cook, but I never really paid too much attention. So, I think for the most part I’ve learned just through practicing and doing. I just picked different recipes that I liked and learned how to do it.

I enjoy cooking a lot. I’m more of a baker. I like making fruit bread and zucchini bread. I recently got into making candy. I make chocolate, truffles, carmels and toffee. I just got a plastic mold set to make candy bars. I’ve been trying that out….melting dark chocolate and adding cranberries, almonds and salt on top.


Do you have any samples here [at the bookstore]?

I don’t have samples here. But I will make sure you, Lisa, do get some.

But, I’m into making candy right now. It’s nice to make it instead of running to the store to buy it.


Do you have any upcoming craft shows?

Not scheduled. I usually do one in Richmond, Virginia. It’s the third weekend in April. It’s called Spring Bada-Bing. I’ve been doing that for the past three or four years. I’m looking forward to doing that again this year. It’s the only one coming up. I’m just kind of taking a break to work on my stock before I start doing more craft shows.


Beth Rice "Sewn Stories"











The Yellow Wall Gallery at the Midtown Scholar Bookstore is pleased to present "Sewn Stories", an exhibition of hand embroidery and textiles by local craft artist Beth Rice. Beth presents a collection of hand embroidery on fabric that are inspired by old children's illustrations, maps and nature. Lush forests, rocky coasts, stitched forms, and a cabin in the woods are often featured in the work. The resulting imagery presented with fabric and thread is creative and often dream-like. Also, Beth Rice is the bookstore and cafe manager at Midtown Scholar Bookstore and Famous Reading Cafe.

The exhibition will be at the gallery January 18, 2011 through February 13, 2011. A reception for the artist will occur on January 21, 2010 from 6-9pm at the gallery. Light refreshments will be served.


Thursday, December 23, 2010

Interview with Keith Jones Pomeroy

New at the Yellow Wall Gallery!

I'll be posting interviews with our current gallery artists on this blog.
It's my hope that from these interviews you'll learn more about the artist's artwork in the gallery, their practices and philosophies on art, and maybe what they like to do in their spare time...
an opportunity for you to learn about the artist beyond the gallery walls.

Here is the first interview with artist Keith Jones Pomeroy.
His collection of paintings, "Communion", will be in the gallery until January 16, 2011.

* When did you first discover that art would be important part of your life?
I have always enjoyed art and started drawing and coloring as soon as I could hold crayons. As a kid, I always wanted to be an artist when I grew up. It wasn't a very original idea, but it has been a passion that has remained constant throughout my life.

* How long does it take you to create a painting?
It depends completely on each piece and the time I have to commit to it. If I'm working consistently (3-4 days a week), it probably takes between 2 weeks- 2 months/painting.

* How do you get motivated to make artwork?
I just enjoy the creative process, I like seeing forms take shape and get refined on a blank canvas. I get excited to see subject matter that I care about come to life through painting.

* What music are you listening to these days? Reading any books?
Christmas music! I tend to listen to Xmas music from Nov.-Jan. and love the whole genre, from Bing Crosby to current artists redoing old favorites. I'm currently reading "A Theology of Liberation" by Gustavo Guitierrez.

* What or who are your influences to paint? (artists, philosophers, scientists, etc)
Michelangelo (for pure ingenuity, structure, beauty of the human body), Rembrandt (his use of light and dark), Van Gogh (for blending emotion with texture, color, and depth), Monet (color).

* How do you go about choosing a subject for your portraits?
Choosing the subject is a mixture of personal connection and aesthetic appeal. All of the people I've painted have touched me in some way, and I feel connected to them. But I also think that all of them have strong character that is very visible in their appearance. It sounds somewhat cliche, but it is as if their "inner beauty" is manifested in their bodies.

* Discuss one of your pieces that is currently in the gallery. What were you thinking when you created it?
The piece of the water with the sunset in the background was an incredible challenge. At the time I painted that, most of my paintings were portraits and I wanted a change of pace and something more difficult. The depth of water and fading into the light was quite challenging, but something that was really enjoyable. I spent a lot of time re-evaluating the piece and redoing large sections until it got to a place where I felt content with it. Though this wasn't a person I was painting, I still felt connected to the water, to the colors in a very different ways than a portrait.

* Why do you create art?
I paint because it gives me energy, it rejuvenates and refreshes me, it connects me to other people. I enjoy the whole process, the creation and end of a painting.

* How long did it take you to grow your mustache so you can wax it like that?
The current stache is about 2 months old.

* What inspired you to grow a mustache that you could eventually wax?
Facial hair is under-utilized much of the time. It's a shame that people are content with just carefully trimmed goatees. Be creative, man!

* Do politics, religion and/or faith play a part in your artwork or art-making process?
I love the idea of art being something that communicates a variety of things. I place a lot of importance on aesthetics, on having feeling communicated through the art, but I also love the idea of symbolism being strong. As of now, I haven't incorporated too much of that in my paintings. I think spirituality has strong threads within my work, partly because that is an integral part of who I am, but also because I feel connected on a deeper level with my subjects.

* What took you to the places that you have depicted in your paintings?
Most of my portraits are from people that I met in Thailand (in Chiang Mai, in a refugee camp in Mae Sot, and at a tribal village in Musekee) while working there with a study abroad program during 2008-09. There is also a portrait from Honduras, where I worked at an orphanage for a summer in 2004. The water paintings are from Lion's Head, Ontario, where my family has vacationed my whole life.

* Did you receive a degree in art? What is your day job now?
I would have loved to have majored in art, but at the time the art program at Messiah College (my alma mater) was not flexible and I wouldn't have been able to study abroad. So I studied Sociology and took a lot of art electives.
Currently I work as a Program Manager for the Agape Center at Messiah College. In brief, I connect students with service-learning (volunteer/reflection) opportunities.

* What do you hope your audience will gain from viewing your paintings?
I like the idea that people can feel like they "know" the person portrayed in the painting, that something of their character would be communicated in the painting.

* If you could be anywhere in the world right now, where would it be and why?
Salzburg, Austria. They have awesome Christmas celebrations, have a bit of snow now, and great food. I love those things at this time of year!

* Anything else you would like to say about yourself or your artwork?
I love painting. Thanks for the opportunity to share a little about that love!

Friday, December 10, 2010

Now Available!

Special order custom-made prints (canvas or paper) from any of Keith Jones Pomeroy's paintings in the gallery. A variety of sizes and prices are available. Give the gift of art to your loved ones AND support a local artist this holiday season!! See a cafe manager or email yellowwallgallery@gmail.com for more details.

Wednesday, December 1, 2010

"Communion" paintings by Keith Jones Pomeroy

"Communion" paintings by local artist Keith Jones Pomeroy.

Keith presents works inspired by the individuals he has connected with throughout his travels to Central America, Southeast Asia and Europe.

December 1, 2010 - January 16, 2011.

Reception for the artist December 17, 2010 6-9pm.

Friday, November 19, 2010

TONIGHT!!! Reception for "Perspective: Seeing Through Design".

TONIGHT!!! Reception for "Perspective: Seeing Through Design". Graphic design artists Allison Coleman and Cristina Ortiz.

Allison creates mixed media pieces that humanize the Jonestown incident. Cristina flaunts her mastery of design elements.

FREE! 6-9pm. Refreshments will be served.